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9783039118793 03 05 83499 PeterLang AG 01 Publishers Order No 11879 02 303911879X 03 9783039118793 15 9783039118793 BC 01 Peter Lang CISRA 15 02 16620364 15 15 9783039118793 1 A01 Linda Goddard Goddard, Linda Linda Goddard 01 eng XII 275 26 2.0 1582 10 ART000000 10 ART015000 10 LIT004150 12 AB 12 ACV 12 DSB 12 DSBF 12 DSBH 20 Interchange and rivalry between the arts 20 Hierarchies of the senses in Symbolist criticism 20 Gauguin's relationship with literary symbolism 20 Word and image in Cubist criticism 20 Mallarmé, Picasso and the aesthetic of the newspaper 23 Peter Lang 18.01.01.05 Romanistik; 19. Jahrhundert 23 Peter Lang 18.01.01.06 Romanistik; 20. Jahrhundert und zeitgenössische Lit. 23 Peter Lang 18.01.01.07 Romanistik; Gesamtdarstellung 23 Peter Lang 25.03.05 Kunstwissenschaft; 18.-21. Jahrhundert 23 Peter Lang 25.12 Kunstwissenschaft; Symbolforschung 06 Scholars and students of French art and literature, cultural history and word and image studies 01 This book explores interaction and competition between painting and literature in France, from the late nineteenth century to the early twentieth, offering new readings of works by key figures including Paul Gauguin, Stéphane Mallarmé, Pablo Picasso and André Gide. Combining close visual and literary analysis with a broader examination of critical discourse, the volume uncovers a mutual but often contentious exchange of ideas. The author challenges habits of periodisation, drawing attention to the links between Symbolist and Cubist criticism. Issues such as the debate about ‘literary’ painting, the role of art criticism and artists’ writings, as well as themes such as newspapers and gold, alchemy and forgery, are shown to connect the two centuries. In examining how the rejection of mimesis in painting affected literary responses to the visual arts, the book explores a shift in power from the verbal to the visual in the early decades of the twentieth century. 04 Contents: Interchange and rivalry between the arts - Hierarchies of the senses in Symbolist criticism - Gauguin’s relationship with literary symbolism - Word and image in Cubist criticism - Mallarmé, Picasso and the aesthetic of the newspaper - Replica and self-reflexivity in Gide and Picasso - Simultaneity in art and literature. 04 08 01 http://www.peterlang.com/exportdatas/exportfiles/onix/toc/9783039118793_toc.pdf 13 Linda Goddard is a Lecturer in Art History at the University of St Andrews. She was previously a British Academy Postdoctoral Fellow at the Courtauld Institute of Art, where she completed a PhD in 2004. She is currently working on a book about the writings of Paul Gauguin. 33 08 01 http://www.peterlang.com/exportdatas/exportfiles/onix/intro/9783039118793_leseprobe01.pdf 04 03 01 http://www.peterlang.com/exportdatas/exportimages/onix/cover/9783039118793.jpg Copyright Peter Lang AG 20120123 http://www.peterlang.com/?11879 Peter Lang International Academic Publishers 01 05 80791 Peter Lang AG, Internationaler Verlag der Wissenschaften http://www.peterlang.com Oxford GB 04 20120310 2012 01 WORLD 01 225 mm 02 150 mm 08 480 gr 27 01 Publishers Order No 11879E 03 9783035302745 15 9783035302745 DG 05 83499 PeterLang AG 01 20 01 45 GBP GB Z 01 50 EUR Z 01 69.95 USD US Z 02 53.5 EUR DE R 02 55 EUR AT R 02 65 CHF CH R