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Daboo, Jerri
Ritual, Rapture and Remorse
A Study of Tarantism and Pizzica in Salento
Year of Publication: 2010
Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien, 2010. XIV, 284 pp., 8 ill.
ISBN 978-3-03911-092-6 pb.
(Softcover)
ISBN
978-3-0353-0089-5
(eBook)
Weight: 0.420 kg, 0.926 lbs
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Katherine Briggs Award 2010
Congratulations to our author Jerri Daboo whose book Ritual, Rapture and Remorse won the runner-up in this year’s Katherine Briggs Award.
Book synopsis
This book was awarded a Special Mention Citation in the 2010 competition for the 'de la Torre Bueno Prize' by The Society of Dance History Scholars.
In the region of Salento in Southern Italy, the music and dance of the pizzica has been used in the ritual of tarantism for many centuries as a means to cure someone bitten by the taranta spider. This book, a historical and ethnographic study of tarantism and pizzica, draws upon seven hundred years of writings about the ritual contributed by medical practitioners, scientists, travel writers and others. It also investigates the contemporary revival of interest in pizzica music and dance as part of the 'neo-tarantism' movement, where pizzica and the history of tarantism form a complex web of place, culture and identity for Salentines today.
This is one of the first books in English to explore this fascinating ritual practice and its contemporary resurgence. It uses an interdisciplinary framework based in performance studies to ask wider questions about the experience of the body in performance, and the potential of music and dance to create a sense of personal and collective transformation and efficacy.
Contents
Contents: Embodying Pasts and Presence - Whose History Is It? Examining the Historical Records of Tarantism - Remorse, Transformation and Scazzicare: De Martino Revisited - Revivals, Roots and Raves: the Performance of Pizzica in Contemporary Salento.
About the author(s)/editor(s)
The Author: Jerri Daboo is a Senior Lecturer in Drama at the University of Exeter. She worked as a performer and director for many years before joining the university in 2004. She has trained in acting, music and dance, and her research publications and practice focus on the body and culture in performance.